document.writeln("<div class=pagecontent><b>Interview</b><br>See online at http://www.an-mag.com/marching-on-an-interview-with-painter-bethany-marchman/<br>Kendrick Daye<br><i>Art Nouveau Magazine</i><br>01/21/2010</div><br>");
document.writeln("<div class=pagecontent><b>Atlanta Young Art Collector Article</b><br>Are enough younger collectors stepping up in Atlanta?<br />\r\nPublished 01.13.10<br />\r\nExcerpt:<br />\r\n(On the Martha Wilber and Jay Wiggins collection)<br />\r\n\"What they like is distinctly \"lowbrow.\" That\'s the term willingly embraced by Beep Beep Gallery in Midtown, one of Wilber and Wiggins\' preferred haunts. So-called lowbrow art sprang from West Coast underground culture and has since gained international recognition through outlets such as Juxtapoz magazine and the film Beautiful Losers. The names in Wilber and Wiggins\' collection – Bethany Marchman, Sam Parker, Dosa Kim – have all passed through Beep Beep and represent the cream of Atlanta\'s lowbrow crop.\"<br />\r\n<br />\r\nMore at: http://atlanta.creativeloafing.com/gyrobase/are_enough_younger_collectors_stepping_up_in_atlanta_/Content?oid=1302669<br />\r\n<br />\r\n<br>Cinque Hicks<br><i>Creative Loafing Atlanta</i><br>01/13/2010</div><br>");
document.writeln("<div class=pagecontent><b>Q&A / BETHANY MARCHMAN, artist and gallery owner: Rabbit-Hole to</b><br>For the Journal-Constitution<br />\r\nBy Jonathan Williams<br />\r\nSunday, December 07, 2008<br />\r\n<br />\r\n<br>Jonathan Williams<br><i>Atlanta Journal and Constitution</i><br>12/07/2008</div><br>");
document.writeln("<div class=pagecontent><b>Bethany Marchman\'s play toys</b><br>Pop-savvy artist spreads it around in two local shows<br />\r\nPublished 03.12.08By Felicia Feaster<br />\r\n<br />\r\n<br>Felicia Feaster<br><i>Creative Loafing, Atlanta</i><br>03/25/2008</div><br>");
document.writeln("<div class=pagecontent><b><img src=http://www.bethanymarchman.com/dtune/images/spacer.gif width=1 height=1></b><br>\"Bethany has the ability to use her trademark innocent, expressive eyes and blood red palette to create works that are adorably demented....<br />\r\nBethany’s mastery of painting with oils is decidedly intricate and phenomenal and she successfully captures her signature mood in each piece.\"<br />\r\n<br />\r\nRead the whole show review:<br />\r\n<br />\r\nby PINE-Magazine<br />\r\n<A HREF=\"http://pine-magazine.com/content.php?id=810\">read here</A><br>Cathy Klein/ Alicia Johnson<br><i><img src=http://www.bethanymarchman.com/dtune/images/spacer.gif width=1 height=1></i><br>08/29/2007</div><br>");
document.writeln("<div class=pagecontent><b>\"Atomic Pop\" review</b><br>Look for Bethany in July/ August issue:<br />\r\n\"Marchman\'s paintings pull Margaret Keane\'s pictures of giant-eyed children out of the kitsch yard sale pile. Steering a tawdry middle course between Mark Ryden and Lisa Yuskavage...\"<br>Phil Oppenheim<br><i>Art Papers Magazine</i><br>07/01/2004</div><br>");
document.writeln("<div class=pagecontent><b><img src=http://www.bethanymarchman.com/dtune/images/spacer.gif width=1 height=1></b><br>bethany marchman - wunderschöne melancholie  <br />\r\nPosted on Dienstag, 22 Juni @ 10:54:48 CEST von flameboy <br />\r\ndharma schreibt:  <br />\r\neben erst haben wir über blythe berichtet und nun haben wir hier eine künstlerin, deren figuren doch irgendwie sehr an die süße blythe-puppe erinnern.<br />\r\nbethany marchmann heißt die artistin und auf ihren bilder sind immer wieder mädchen mit riesengroß melancholischen augen und traurigen gesichtern. <br />\r\n<br />\r\neinerseits sehen die bilder sehr comicmäßig aus, aber auch immer sehr tragisch, so dass die presse auch von tragi-comic sprach. ich kann nur sagen, dass ich die bilder auf ihre art einfach wunderschön finde, mich aber dann nach einigerzeit auch wieder nach einem lächeln sehne...<br />\r\n<br />\r\nfür ausflug in die melancholie bitte hier entlang<br />\r\n<br />\r\n <br />\r\n<br>Flameboy Dharma<br><i><img src=http://www.bethanymarchman.com/dtune/images/spacer.gif width=1 height=1></i><br>06/22/2004</div><br>");
document.writeln("<div class=pagecontent><b>Art Patrol</b><br>\"Bethany Marchman\'s trippy, beautifully rendered paintings put a woman\'s spin on Mark Ryden-style big-eyed waifs.\"<br>Felicia Feaster<br><i>Creative Loafing Atlanta</i><br>11/30/1999</div><br>");
document.writeln("<div class=pagecontent><b><img src=http://www.bethanymarchman.com/dtune/images/spacer.gif width=1 height=1></b><br>Sex & The Suburbanal<br />\r\n\"PG-13,\" paintings by Bethany Marchman. At Hole in the Wall <br />\r\n<br />\r\n\"...even as her images coyly amuse, they are surprisingly arresting, even tragi-comic, in the kind of lightly ironic way that comes as naturally to this Winter Park, Floridian as, say, austere woodsy landscapes did to the Wyeths.\"<br />\r\n<br />\r\n\"Marchman shares her predilections principally with John Currin and Lisa Yuskavage.\"<br />\r\n<br />\r\n<br />\r\nLizzie Zucker Saltz<br />\r\n<br />\r\n<br>Lizzie Zucker Saltz<br><i>Flagpole Magazine</i><br>03/01/1999</div><br>");